Redefining a beloved Broadway staple is a slippery slope, especially when the resulting production shares little semblance of the original. This Oklahoma, a vision of experimental director Daniel Fish, is raw and completely exposed, stripped to the music and drama. It fully explores the themes and conflicts while bravely confronting questionable aspects of the story and characters. Though boasting the prestigious Tony Award for Best Musical Revival of 2019, the show has been critically polarizing with the biggest debate being whether Fish’s upheaval of the untouchable was warranted. Admittedly, some of the standalone creative decisions were less than agreeable. However, what is undeniable is that this revival is cohesive and effective in its impact.